Die Ölgemälde alles BELLOTTO, Bernardo
Choice ID Image  Painting (From A to Z)       Details 
5119 Capriccio of the Capitol  Capriccio of the Capitol   1743-44 Oil on canvas Galleria Nazionale, Parma
5118 Capriccio with the Colosseum  Capriccio with the Colosseum   1743-44 Oil on canvas Galleria Nazionale, Parma
5125 Dresden, the Frauenkirche and the Rampische Gasse  Dresden, the Frauenkirche and the Rampische Gasse   1749-53 Oil on canvas, 193 x 186 cm Gemäldegalerie, Dresden
5129 Dresden, the Ruins of the Pirnaische Vorstadt  Dresden, the Ruins of the Pirnaische Vorstadt   1762-63 Oil on canvas, 80 x 112 cm Mus??e des Beaux-Arts, Troyes
5131 Dresden, the Ruins of the Pirnaische Vorstadt kinxt  Dresden, the Ruins of the Pirnaische Vorstadt kinxt   1766 Etching Private collection
5126 New Market Square in Dresden  New Market Square in Dresden   1750 Oil on canvas, 136 x 236 cm Gemäldegalerie, Dresden
5127 New Market Square in Dresden from the Jdenhof  New Market Square in Dresden from the Jdenhof   1749-51 Oil on canvas, 136 x 236 cm Gemäldegalerie, Dresden
72566 Self portrait as Venetian ambassador  Self portrait as Venetian ambassador   Date 1760s Medium Oil on canvas Dimensions 153 X 114 cm (60.24 X 44.88 in) cyf
5123 The Kreuzkirche in Dresden  The Kreuzkirche in Dresden   1747-56 Oil on canvas, 197 x 187 cm The Hermitage, St. Petersburg
5117 The Piazza della Signoria in Florence  The Piazza della Signoria in Florence   c. 1742 Oil on canvas, 61 x 90 cm Museum of Fine Arts, Budapest
5130 The Ruins of the Old Kreuzkirche in Dresden gfh  The Ruins of the Old Kreuzkirche in Dresden gfh   1765 Oil on canvas Gemäldegalerie, Dresden
5115 The Scuola of San Marco gh  The Scuola of San Marco gh   1738-40 Oil on canvas, 42 x 69 cm Gallerie dell'Accademia, Venice
5133 Vienna, Panorama from Palais Kaunitz ffg  Vienna, Panorama from Palais Kaunitz ffg   1759-60 Oil on canvas, 134 x 237 cm Museum of Fine Arts, Budapest
5132 Vienna, the Lobkowitzplatz  Vienna, the Lobkowitzplatz   1759-60 Oil on canvas, 115 x 152 cm Kunsthistorisches Museum, Vienna
5124 View of Dresden from the Right Bank of the Elbe with the Augustus Bridge  View of Dresden from the Right Bank of the Elbe with the Augustus Bridge   748 Oil on canvas, 133 x 237 cm Gemäldegalerie, Dresden
5121 View of Gazzada near Varese  View of Gazzada near Varese   1744 Oil on canvas Pinacoteca di Brera, Milan
5116 View of the Grand Canal at San Stae  View of the Grand Canal at San Stae   1738-40 Oil on canvas, 70,5 x 126,5 cm Private collection
5120 View of the Villa Cagnola at Gazzada near Varese  View of the Villa Cagnola at Gazzada near Varese   1744 Oil on canvas, 100 x 65 cm Pinacoteca di Brera, Milan
5122 View of Turin near the Royal Palace  View of Turin near the Royal Palace   1745 Oil on canvas, 129,5 x 174 cm Galleria Sabauda, Turin
5134 View of Vienna from the Belvedere hjhk  View of Vienna from the Belvedere hjhk   1759-60 Oil on canvas, 135 x 213 cm Kunsthistorisches Museum, Vienna
5136 View of Warsaw from the Royal Palace (detail) fh  View of Warsaw from the Royal Palace (detail) fh   1773 Oil on canvas National Museum, Warsaw
5135 View of Warsaw from the Royal Palace nl  View of Warsaw from the Royal Palace nl   1773 Oil on canvas, 166 x 269 cm National Museum, Warsaw
91440 Wilanow Palace as seen from north-east  Wilanow Palace as seen from north-east   1777(1777) Medium oil on canvas cyf
5128 Zwinger Waterway  Zwinger Waterway   1750 Oil on canvas, 133 x 235 cm Gemäldegalerie, Dresden
BELLOTTO, Bernardo
Italian Rococo Era Painter, ca.1721-1780 Bernardo Bellotto (30 January 1720 ?C 17 October 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedutes of European cities (Dresden, Vienna, Turin and Warsaw). He was the pupil and nephew of Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto ?? fraudulently, according to some. Especially in Germany, paintings attributed to Canaletto may actually be by Bellotto rather than by his uncle; in Poland, they are by Bellotto, who is known there as "Canaletto". Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views.



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